> Press extracts

MICHAEL SENNHAUSER  | BLAME
“This is due to Marcel Vaid’s dramatic-illustrative score, which, with Wagnerian pathos, pushes the facts and reactions […], up and down into an emotional rollercoaster.“

>listen+watch [WAGNERIAN PATHOS]

JURY ZURICH FILMPRIZE | LES PARADIS DE DIANE
“While the refreshingly different background music creates an additional emotional depth“

>listen+watch some [EMOTIONAL DEPTH]

HOLLYWOOD REPORTER | MY NAME IS SALT
“With fine-tuned assistance from composer Marcel Vaid (whose light, tinkling score is a delight), the filmmakers evoke the insistent rhythms of the family’s labor.“

>listen+watch a piece of [DELIGHTFUL TINKLING MUSIC]

JURY FESTIVAL DE CANNES | CHRIS THE SWISS
„Award winning composer Marcel Vaid has created an intensely strong score to Anja Kofmel’s extraordinary story ‚Chris the Swiss'“

>listen+watch to some really [INTENSE AND STRONG MUSIC]

SÜDDEUTSCHE ZEITUNG | GOODNIGHT NOBODY
“The physical state of sleeplessness are beeing perceived through the buzzing, throbbing sounds of Marcel Vaid’s film music“

>listen+watch [BUZZING AND THROBBING SOUNDS]

VARIETY | OSTROV
“Marcel Vaid broke down a piano and started making strange sounds with some strange devices. It was like a shamanic ritual.”

>listen+watch [STRANGE STUFF FROM STRANGE DEVICES]